Chapter XVII
The Aeolians recent production, “Sound of
Music” under the able baton of Mr. Larry Kelley, was a smash hit. Rave reports filled the air all over town and
always with the joyous addenda, “Oh those children! Weren’t they marvelous! They stole the show!”
The superb
coordination of talent, the rapport on stage, back stage and in the orchestra
surely made this production the Aeoleans finest hour. It has added a brilliant page to the musical
history of this part of the state with so many surrounding towns represented in
the cast and in the orchestra. Your
Historical Society takes pride in the thought that another page of high musical
attainment will be recorded in its archives.
The Aeoleans
were organized in 1953 by John Driggs and they have sung before many
organizations and gatherings in the mid west.
Their espirit de corps has always been of the highest. From 1955 to 1967
they have produced 12 great musical plays and always with well-nigh flawless
finesse.
“Music is the
fourth great materials want of our nature, first food, then raiment, then
shelter, then music, “ --Bovee
Lucas County
was musically inclined from its earliest years.
In 1897, music was first introduced into the schools by way of girls’
glee clubs, musical plays and then an orchestra conducted by Amanda Westling,
sister of Albert Westling. In 1899
Chariton took its first significant step when a musical was given in the
Mallory Opera House by Mrs. Carrie Jacobs Bond.
This brilliant event was sponsored by Mr. and Mrs. S. H. Mallory, their
daughter, Mrs. Jessie Mallory Thayers, and Miss Buell. Mrs. Bond’s program was entirely of her own
compositions. Following the program, the
guests adjourned to the Noxall Club for refreshments and dancing.
The building of
the opera house by Mr. Mallory (where the Montgomery Ward building now stands)
attracted groups of musicians and encouraged the development of home
talent. In 1921 the Chariton Student
Band was formed and directed by Mortimer Wilson who later arranged the music
for “The Birth of a Nation”. Mr. Wilson
was a fine violinist. He was the protégé
of Mrs. Jessie Thayer. The Student Band
was followed by the Chariton City Band under the direction of Mr. Herbert
Johnson and sponsored by the American Legion.
Memory recalls with tremendous pride, the marching and drilling of that
band around the square in their beautiful uniforms with Leck Young as drum
major, the Martin twins as majorettes dancing, prancing, and stepping in
absolute precision drills directed by Oscar Stafford to a point of showmanship
unsurpassed in the nation. This was the
official band for the Sidney Rodeo for several years. In competition they took second place in St.
Louis in 1935, second in Chicago in 1939 and from Cleveland in 1936 they
returned with the coveted National Champion Band Award. That night they appeared in our football
stadium where they put on their dazzling performance of music and precision
drills in a display that made every heart leap in justifiable pride.
At one time in
the long ago, Chariton had a ”Ladies Mandolin Club” of eight members and in
1917 there was the Chariton Choral Club of some 50 mixed voices. No names are available.
While all this
progress was making its way in Chariton, our neighboring town of Lucas was
joyously making its own musical history.
The great majority of Lucas immigrants were English, Welsh, with some
Scotch and Swedish and they all knew and loved music. Peter Welsh was a professional musician and a
very fine one. He, along with others of
high musical taste, did much to promote musical groups in the town. There were all kinds of musical programs and “literaries,”
all of which the people eagerly supported.
One of the wry
twists in human affairs concerns two Lucas gentlemen: Thomas Hopkins and John T. Evans, Elizabeth
Johnson’s grandfather. Both were natives
of Wales; both graduated from the “Tonic Sol Fa College” in Wales under the
same instructor. Mr. Hopskins in 1880
and Mrs. Evans in 1885. The two men
never met in Wales but upon graduation, Mr. Hopkins announced to his teacher: “Now
I’m going to America.” When Mr. Evans
graduated five years later, he said to his teacher, “Now I’m going to America”.
and the teacher said, “That’s strange. I
graduated a man just five years ago who said he was going to America.”
Both men came
to Lucas – five years apart and there they met, both working in the mines and
both working in music. Later the quartet
was doubled and still later a male chorus was formed, also under the direction
of Mr. Hopskins. They sang in the church
choirs of Lucas community affairs around about, in Christmas and Easter
programs. They traveled about and gave
concerts. Like our own Aeoleans, they
were motivated solely by their love of music and the pleasure it gave to others
and to themselves. Mrs. Sarah Hervy,
Elizabeth Johnson’s mother, tells of a certain play, “The Family Row” in which
all parts were sung. This play was repeated
every two or three years and always to a packed house – not even standing room
was left. (There was no fire ordinance
then and this was on the second floor of the big opera house buildings on the
hill northwest of Lucas.)
Lloyd Mikesell,
an excellent musician and a fine director, organized a Lucas Male Chorus and
they traveled about singing in churches, school houses and various
gatherings. They sang over the air from
the Shenandoah station several times.
William Hunter of Lucas is, so far as we can discover, the only survivor
who was in Mr. Hopkins double quartet and also in Mr. Mikesell’s Lucas Male
Chorus. Mr. Mikesell also organized a
Chariton Male Chorus of some 16 to 20 voices and they sang in many towns and
over WOI, Ames and WHO, Des Moines. Of
the original group, only three members remain locally – Joyce Tennant, Ralph
Downs and Frank Lunan. From them we have
the following episode: It was in
1935. They were in Chicago to sing over
NBC National Farm and Home hour. They
were under the lights, ready to give their all when the lights were cut and a
voice announced the arrival in New York Harbor of the NORMANDIE on her maiden
voyage – three days late. The voice
continued: ‘Boys don’t get excited.
Remember it took seven million dollars to get you off the air!
The Deep Rock
Oil Company learned of the situation and then Dave Evans, an employee of Deep
Rock and a member of the chorus, arranged to pick up the 16 members in taxis
and took them to Wrigley Field to see the game between the Cubs and
Cardinals. Then a complete tour of the
city on the “El”. Next morning back to
NBC where they were given a full half hour on the air. Following that appearance, they received
congratulatory cards from countries all over the world showering them with
praise for their singing.
Derby built its
opera house in 1900. The late Dr. Lynn
Chapman as a boy, drove the horse that hoisted the bricks and mortar to the
ascending heights as the buildings grew to two stories. This was the “gay nineties”, when road shows
were so popular and performed everything from minstrels and vaudeville to such
classics as “East Lynne” and many others.
Mrs. Myrtle Garton McEndry, Dr. Garton’s mother, with her sister Verna
and other young people, sang often from that stage, accompanied by Mrs. Fred
Throckmorton. The two sisters, Myrtle
and Verna sang duets, on of which still clings to memory. “Beautiful Moonlight.” It was always demanded an encore which the
girls dreaded because the favorite encore required lifting their skirts a tiny
bit from the knee.
One of the fine
music teachers of derby was Mrs. Ada Blizzard Grimes who held a degree from
Valpariso University. She played for
public gatherings, she taught private pupils for many years, was church organist
and she organized the “Old Fashioned Singing School” that was quite
popular. Another noted musician of Derby
the aforesaid Mrs. Fred Throckmorton, mother of Dr. J. Fred Throckmorton now of
DesMoines but who does not forget his boyhood home. Mrs. T hrockmorton was Mayme Pennewell, aunt
of Mrs. George Dunshee of Chariton.
Derby was a music loving town.
They had a band, quartets, sextets and choruses and they conducted evening
music classes each year at a cost of $1 per pupil for the course.
In 1963 the
Aeoleans bought the old building and restored it, faithfully preserving the
warmth of its atmosphere. The theatre
looks out upon a charming little park, maintained by the Derby Garden Club. Summer concerts were given during several
seasons and were well received.
Occasional displays of paintings by local artist have been an
interesting and attractive feature.
- - - - - - - - - - - - - - - -
Russell also
had a musical history. In June of 1874
the Russell Musical Association was organized for the purpose of cultivating
local talent. The society was very
popular with a membership of about 75.
They met ever Saturday evening, studied music and sang under the
leadership of I. N. Davis, James, the station agent, and J. B. Ferguson. The following year they held an eight-day
music convention in which 90 persons took part under the leadership of Mr.
Ferguson. IT closed with a concert at
one of the church. In 1885 Russell had
an 11-piece band. We have the picture
but no further data.
Williamson was
the musical area headquarters for the rural schools in its immediate
vicinity. Each autumn there was a
meeting of all the schools under a special supervisor from Cedar Falls for
instruction to the teachers in choir work so popular at that time. The following spring a competition was held
generally on the east side of the square in Chariton where the children sang
from a raised platform. ‘Brush College’
a fanciful name for a rural school in English township taught by Mrs. Helen
Wood took top honors in one of these contests.
Much more can
be said about the musical history of Lucas County and will be said as time
brings further columns. This column is
indebted to Larry Kelley whose thesis “MUSIC IN THE PUBLIC SCHOOLS OF CHARITON”
has been drawn upon for some excerpts and to many others who have so kindly
share their knowledge and experiences.
Mr. Kelley has designate that his thesis become the property of your
Historical Museum.
Pages 68-72
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